Harry Lloyd, who played Richard Mason
Edward Rochester - too cute (although they did give him bad hair for much of the time which helped)
St. John Rivers - not cute enough - and why does Jane refer to him as "Mr. St. John" on several occasions???
Richard Mason - helloooooo sailor!
Rochester's injuries - WHAT? He has full use of BOTH HANDS after the fire?!?
It's automaton!!!! DO YOU THINK I AM AN AUTOMATON! You don't need to replace the word with "machine" - modern audiences will get the gist of the word in context!
They de-related Jane and the Rivers family. I did that too - in the book it turns out that not only does Jane have an inheritence, but St. John, Mary and Diane are all her cousins. That's just too much - and it's extra-skeevy when St. John proposes to Jane. In the movie, Jane says to St. John that she feels like they are her family, since they saved her life. In my version I left out Mary and Diane altogether, as well as the cousin angle.
At least they kept some of the laughs:
~ When Jane is asked what she should do to keep from going to hell she says she must keep in good health and not die. That is a classic bit and the movie audience laughed.
~ Adele is ridiculous and therefore funny - although she was more ridiculous and funny in the book - but they gave Mrs. Fairfax a good laugh-line at Adele's song - "how French"
AND there was a funny bit with St. John and his sisters, that was not in the book.
But they lost some good funny bits:
~ Jane doesn't accidentally douse Rochester while trying to put out the fire in his bed curtains, so he doesn't get to say "Hello? Is there a flood?"
~ The teasing scene. And no lap-sitting. That's just wrong. The scene where Jane teases Rochester - blind and one-handed Rochester is a masterpiece of timing and character. I used that scene in my adaptation of Jane and the audience at the 2008 production loved it. What's not to love? It's poignant, sexy and funny. And Jane's getting back at Rochester for his little game of trying to make her jealous. Payback's a bitch and so is Jane Eyre when she wanna be!
"You are altogether a human being, Jane? You are certain of that?"
"I conscientiously believe so, Mr. Rochester."
"Yet how, on this dark and doleful evening, could you so suddenly rise on my lone hearth? I stretched my hand to take a glass of water from a hireling, and it was given me by you: I asked a question, expecting John's wife to answer me, and your voice spoke at my ear."
"Because I had come in, in Mary's stead, with the tray."
"And there is enchantment in the very hour I am now spending with you. Who can tell what a dark, dreary, hopeless life I have dragged on for months past? Doing nothing, expecting nothing; merging night in day; feeling but the sensation of cold when I let the fire go out, of hunger when I forgot to eat: and then a ceaseless sorrow, and, at times, a very delirium of desire to behold my Jane again. Yes: for her restoration I longed, far more than for that of my lost sight. How can it be that Jane is with me, and says she loves me? Will she not depart as suddenly as she came? To-morrow, I fear I shall find her no more."
A commonplace, practical reply, out of the train of his own disturbed ideas, was, I was sure, the best and most reassuring for him in this frame of mind. I passed my finger over his eyebrows, and remarked that they were scorched, and that I would apply something which would make them grow as broad and black as ever.
"Where is the use of doing me good in any way, beneficent spirit, when, at some fatal moment, you will again desert me--passing like a shadow, whither and how to me unknown, and for me remaining afterwards undiscoverable?
"Have you a pocket-comb about you, sir?"
"What for, Jane?"
"Just to comb out this shaggy black mane. I find you rather alarming, when I examine you close at hand: you talk of my being a fairy, but I am sure, you are more like a brownie."
"Am I hideous, Jane?"
"Very, sir: you always were, you know."
"Humph! The wickedness has not been taken out of you, wherever you have sojourned."
"Yet I have been with good people; far better than you: a hundred times better people; possessed of ideas and views you never entertained in your life: quite more refined and exalted."
"Who the deuce have you been with?"
"If you twist in that way you will make me pull the hair out of your head; and then I think you will cease to entertain doubts of my substantiality."
"Who have you been with, Jane?"
"You shall not get it out of me to-night, sir; you must wait till to-morrow; to leave my tale half told, will, you know, be a sort of security that I shall appear at your breakfast table to finish it. By the bye, I must mind not to rise on your hearth with only a glass of water then: I must bring an egg at the least, to say nothing of fried ham."
"You mocking changeling--fairy-born and human-bred! You make me feel as I have not felt these twelve months. If Saul could have had you for his David, the evil spirit would have been exorcised without the aid of the harp."
"There, sir, you are redd up and made decent. Now I'll leave you: I have been travelling these last three days, and I believe I am tired. Good night."
"Just one word, Jane: were there only ladies in the house where you have been?"
I laughed and made my escape, still laughing as I ran upstairs. "A good idea!" I thought with glee. "I see I have the means of fretting him out of his melancholy for some time to come."
Very early the next morning I heard him up and astir, wandering from one room to another. As soon as Mary came down I heard the question: "Is Miss Eyre here?" Then: "Which room did you put her into? Was it dry? Is she up? Go and ask if she wants anything; and when she will come down."
I came down as soon as I thought there was a prospect of breakfast. Entering the room very softly, I had a view of him before he discovered my presence. It was mournful, indeed, to witness the subjugation of that vigorous spirit to a corporeal infirmity. He sat in his chair--still, but not at rest: expectant evidently; the lines of now habitual sadness marking his strong features. His countenance reminded one of a lamp quenched, waiting to be re-lit-- and alas! it was not himself that could now kindle the lustre of animated expression: he was dependent on another for that office! I had meant to be gay and careless, but the powerlessness of the strong man touched my heart to the quick: still I accosted him with what vivacity I could.
"It is a bright, sunny morning, sir," I said. "The rain is over and gone, and there is a tender shining after it: you shall have a walk soon."
I had wakened the glow: his features beamed.
"Oh, you are indeed there, my skylark! Come to me. You are not gone: not vanished? I heard one of your kind an hour ago, singing high over the wood: but its song had no music for me, any more than the rising sun had rays. All the melody on earth is concentrated in my Jane's tongue to my ear (I am glad it is not naturally a silent one): all the sunshine I can feel is in her presence."
The water stood in my eyes to hear this avowal of his dependence; just as if a royal eagle, chained to a perch, should be forced to entreat a sparrow to become its purveyor. But I would not be lachrymose: I dashed off the salt drops, and busied myself with preparing breakfast.
Most of the morning was spent in the open air. I led him out of the wet and wild wood into some cheerful fields: I described to him how brilliantly green they were; how the flowers and hedges looked refreshed; how sparklingly blue was the sky. I sought a seat for him in a hidden and lovely spot, a dry stump of a tree; nor did I refuse to let him, when seated, place me on his knee. Why should I, when both he and I were happier near than apart? Pilot lay beside us: all was quiet. He broke out suddenly while clasping me in his arms -
"Cruel, cruel deserter! Oh, Jane, what did I feel when I discovered you had fled from Thornfield, and when I could nowhere find you; and, after examining your apartment, ascertained that you had taken no money, nor anything which could serve as an equivalent! A pearl necklace I had given you lay untouched in its little casket; your trunks were left corded and locked as they had been prepared for the bridal tour. What could my darling do, I asked, left destitute and penniless? And what did she do? Let me hear now."
Thus urged, I began the narrative of my experience for the last year. I softened considerably what related to the three days of wandering and starvation, because to have told him all would have been to inflict unnecessary pain: the little I did say lacerated his faithful heart deeper than I wished.
I should not have left him thus, he said, without any means of making my way: I should have told him my intention. I should have confided in him: he would never have forced me to be his mistress. Violent as he had seemed in his despair, he, in truth, loved me far too well and too tenderly to constitute himself my tyrant: he would have given me half his fortune, without demanding so much as a kiss in return, rather than I should have flung myself friendless on the wide world. I had endured, he was certain, more than I had confessed to him.
"Well, whatever my sufferings had been, they were very short," I answered: and then I proceeded to tell him how I had been received at Moor House; how I had obtained the office of schoolmistress, &c. The accession of fortune, the discovery of my relations, followed in due order. Of course, St. John Rivers' name came in frequently in the progress of my tale. When I had done, that name was immediately taken up.
"This St. John, then, is your cousin?"
"You have spoken of him often: do you like him?"
"He was a very good man, sir; I could not help liking him."
"A good man. Does that mean a respectable well-conducted man of fifty? Or what does it mean?"
"St John was only twenty-nine, sir."
"'Jeune encore,' as the French say. Is he a person of low stature, phlegmatic, and plain. A person whose goodness consists rather in his guiltlessness of vice, than in his prowess in virtue."
"He is untiringly active. Great and exalted deeds are what he lives to perform."
"But his brain? That is probably rather soft? He means well: but you shrug your shoulders to hear him talk?"
"He talks little, sir: what he does say is ever to the point. His brain is first-rate, I should think not impressible, but vigorous."
"Is he an able man, then?"
"A thoroughly educated man?"
"St. John is an accomplished and profound scholar."
"His manners, I think, you said are not to your taste?--priggish and parsonic?"
"I never mentioned his manners; but, unless I had a very bad taste, they must suit it; they are polished, calm, and gentlemanlike."
"His appearance,--I forget what description you gave of his appearance;--a sort of raw curate, half strangled with his white neckcloth, and stilted up on his thick-soled high-lows, eh?"
"St. John dresses well. He is a handsome man: tall, fair, with blue eyes, and a Grecian profile."
(Aside.) "Damn him!"--(To me.) "Did you like him, Jane?"
"Yes, Mr. Rochester, I liked him: but you asked me that before."
I perceived, of course, the drift of my interlocutor. Jealousy had got hold of him: she stung him; but the sting was salutary: it gave him respite from the gnawing fang of melancholy. I would not, therefore, immediately charm the snake.
"Perhaps you would rather not sit any longer on my knee, Miss Eyre?" was the next somewhat unexpected observation.
"Why not, Mr. Rochester?"
"The picture you have just drawn is suggestive of a rather too overwhelming contrast. Your words have delineated very prettily a graceful Apollo: he is present to your imagination,--tall, fair, blue-eyed, and with a Grecian profile. Your eyes dwell on a Vulcan,--a real blacksmith, brown, broad-shouldered: and blind and lame into the bargain."
"I never thought of it, before; but you certainly are rather like Vulcan, sir."
"Well, you can leave me, ma'am: but before you go" (and he retained me by a firmer grasp than ever), "you will be pleased just to answer me a question or two." He paused.
"What questions, Mr. Rochester?"
Then followed this cross-examination.
"St. John made you schoolmistress of Morton before he knew you were his cousin?"
"You would often see him? He would visit the school sometimes?"
"He would approve of your plans, Jane? I know they would be clever, for you are a talented creature!"
"He approved of them--yes."
"He would discover many things in you he could not have expected to find? Some of your accomplishments are not ordinary."
"I don't know about that."
"You had a little cottage near the school, you say: did he ever come there to see you?"
"Now and then?"
"Of an evening?"
"Once or twice."
"How long did you reside with him and his sisters after the cousinship was discovered?"
"Did Rivers spend much time with the ladies of his family?"
"Yes; the back parlour was both his study and ours: he sat near the window, and we by the table."
"Did he study much?"
"A good deal."
"And what did you do meantime?"
"I learnt German, at first."
"Did he teach you?"
"He did not understand German."
"Did he teach you nothing?"
"A little Hindostanee."
"Rivers taught you Hindostanee?"
"And his sisters also?"
"Did you ask to learn?"
"He wished to teach you?"
A second pause.
"Why did he wish it? Of what use could Hindostanee be to you?"
"He intended me to go with him to India."
"Ah! here I reach the root of the matter. He wanted you to marry him?"
"He asked me to marry him."
"That is a fiction--an impudent invention to vex me."
"I beg your pardon, it is the literal truth: he asked me more than once, and was as stiff about urging his point as ever you could be."
"Miss Eyre, I repeat it, you can leave me. How often am I to say the same thing? Why do you remain pertinaciously perched on my knee, when I have given you notice to quit?"
"Because I am comfortable there."
"No, Jane, you are not comfortable there, because your heart is not with me: it is with this cousin--this St. John. Oh, till this moment, I thought my little Jane was all mine! I had a belief she loved me even when she left me: that was an atom of sweet in much bitter. Long as we have been parted, hot tears as I have wept over our separation, I never thought that while I was mourning her, she was loving another! But it is useless grieving. Jane, leave me: go and marry Rivers."
"Shake me off, then, sir,--push me away, for I'll not leave you of my own accord."
"Jane, I ever like your tone of voice: it still renews hope, it sounds so truthful. When I hear it, it carries me back a year. I forget that you have formed a new tie. But I am not a fool--go--"
"Where must I go, sir?"
"Your own way--with the husband you have chosen."
"Who is that?"
"You know--this St. John Rivers."
"He is not my husband, nor ever will be. He does not love me: I do not love him. He loves (as he CAN love, and that is not as you love) a beautiful young lady called Rosamond. He wanted to marry me only because he thought I should make a suitable missionary's wife, which she would not have done. He is good and great, but severe; and, for me, cold as an iceberg. He is not like you, sir: I am not happy at his side, nor near him, nor with him. He has no indulgence for me--no fondness. He sees nothing attractive in me; not even youth--only a few useful mental points.--Then I must leave you, sir, to go to him?"
I shuddered involuntarily, and clung instinctively closer to my blind but beloved master. He smiled.
"What, Jane! Is this true? Is such really the state of matters between you and Rivers?"
"Absolutely, sir! Oh, you need not be jealous! I wanted to tease you a little to make you less sad: I thought anger would be better than grief. But if you wish me to love you, could you but see how much I DO love you, you would be proud and content. All my heart is yours, sir: it belongs to you; and with you it would remain, were fate to exile the rest of me from your presence for ever."
Oh, and something that probably bothers nobody but me - in the movie, in the scene where Jane returns to Rochester after seeing her mean old aunt, she strolls up to him hands-free- no sign of a suitcase anywhere. And I bet nobody cares. For the 2008 production I had to buy an old-tyme looking piece of luggage (which I still have and haven't found a use for it in three years) and then make sure that the actor playing Jane remembered to carry it on with her (and the scene change was very quick and had lots of issues to worry about) when I probably could have saved the trouble.
The movie looked very good in general - that's your high-quality Hollywood production values for you - although what was with all the plaid skirts? - but it suffers from what all adaptations of the book suffer from - not enough of Jane's voice. I'm not sure how they would handle it in a movie except for voice-over. I used monologues, among other things - one of the better notices my 2008 production got said:
"McClernan uses an array of clever devices to visualize the introverted narrative from the novel, and injects a few interesting twists toward the end. She also attempts humor and levity, something rarely done in the adaptation of Jane Eyre.
It's true, it is rarely done - but that isn't the fault of Charlotte Bronte.
And even though cinema is a visual medium and blah blah blah, would it have killed them to let Rochester tell Jane the tale of his horndawgging around Europe? You'd think the only affair he'd ever had was with Adele's mother. And it's an important psychological moment - not only is Rochester opening up to Jane, but it was considered highly inappropriate to start telling your young governess about your sexual adventures. Maybe modern audiences wouldn't get that Rochester was crossing a line here, but Jane's response certainly could have given a hint.
Granted there were only two others but still... actually I had some fun with this idea by asking the guy who played Rochester in the 2008 production where else in the world Rochester got it on, while interviewing the cast for video material to promote the show. You can watch his response here. I have to say "the fertile crescent" slayed me - you can hear me chortling in the background.