Friday, March 11, 2011

Jane Eyre makes good

The NYTimes likes the latest incarnation of Jane Eyre:
Reader, I liked it. This “Jane Eyre,” energetically directed by Cary Joji Fukunaga (“Sin Nombre”) from a smart, trim script by Moira Buffini (“Tamara Drewe”), is a splendid example of how to tackle the daunting duty of turning a beloved work of classic literature into a movie. Neither a radical updating nor a stiff exercise in middlebrow cultural respectability, Mr. Fukunaga’s film tells its venerable tale with lively vigor and an astute sense of emotional detail.

I think I will like it too, especially since the movie opens very close to the point in the story where my adaptation of Jane Eyre opens - after Jane has left Rochester:
The opening scene shows Jane in desperate flight from Thornfield Hall, dashing across the stormy landscape as if pursued by demons and menaced by a ghostly, wind-borne voice. She is taken in and nursed back to health by a young clergyman, St. John Rivers (Jamie Bell), and his two sisters (Holliday Grainger and Tamzin Merchant); then her earlier life unfolds in a series of flashbacks that compress many pages into a few potent scenes and images.

Although in my version it doubles back to when Jane first comes to Thornfield Hall.

I'll have more to say after I see the movie.