Tuesday, September 22, 2015

Richard Dawkins - an even bigger douchebag than ever before



Well I haven't mentioned Richard Dawkins since mid-June. I wonder what he's up to these - oh my godlessness!




Dawkins got lots of negative publicity over this, which should have given him pause, but instead he doubled-down the next day.


Tweet text


If Dawkins has any friends left, they really need to take away his Twitter keys.

PZ Meyers has a great response.



Monday, September 21, 2015

More on toxic "dating coach" huckster Evan Marc Katz

Once you've demonstrated that someone is actively encouraging women to date men who are statistically more likely to abuse them, as Evan Marc Katz does, there's not much else to say about them.

But I can't help but say a few more things about Evan Marc Katz and his exchange with a dissatisfied customer.

In addition to Katz's usual slipperiness in failing to own the regressive advice he gives women, the article demonstrates that even women who are inclined to be skeptical about the benefits of reverting to traditional gender roles have drunk hearty draughts of Katz's misogyny Kool-aid. Customer says:
But I also feel like I’ve learned a lot of stuff that just feels almost insurmountable taken in total, and also… a huge amount of effort that will yield… what, I’m not sure.
To wit (and hear this not as angry, but just incredibly overwhelmed):
She then goes on to list what she considers Katz's objectionable advice.

She then says:
I’m not sure I can actually do all these things.
It looks exhausting, and no fun. What is the upside, besides getting laid, since I earn my own living? 
The fact that she thinks that there actually is an upside - "getting laid" - to Evan Marc Katz's advice that women submit to traditional gender roles in order to catch a manly-man indicates that she's already in the land of cognitive dissonance. Because in fact if all you want to do is get laid, why would you have to become passive? Contrary to Evan Marc Katz's claim, men in fact do like it when women initiate sex, and not only insecure clueless men. Now the traditional-gender-role-loving men that Evan Marc Katz is promoting as real men may not want to marry a woman who actively pursues sex, on the basis of the traditional gender role phenomenon known as the madonna/whore complex. But they will certainly have sex with you and if getting laid is what you want, then it's a win-win. 

And of course there are some men who are sufficiently "masculine" and yet do not buy into rigid gender roles. I know such men. But naturally they are very popular with women and tend to already be in relationships, usually long-term relationships, so if that was the type of man Evan Marc Katz was selling, his success rate would take a big hit - there are just not enough of that kind of man for all the women who want them. But the supply of single traditional-gender-role assholes is huge, and so it's just that much more efficient for Katz to make a buck convincing women that those are the men they really want. Or at least convince them that there are no other alternatives, because "men" are likely to feel emasculated at the tiniest non-passive action on the part of women.

Notice too that the dissatisfied customer said: What is the upside, besides getting laid, since I earn my own living? 

"Since I earn my own living" - she is not looking for a man to be her meal-ticket. 

Now of course economic inequality is the basis of traditional gender roles. The reason men made all the moves in courtship with women was because they had all the power and all the money. Men bought women - not the other way around. Rarely as obviously as when slavers bought slaves, it was more of a barter system than a cash-and-carry. But the power dynamic was just as real.

The main motivation for getting married for a woman was economic - if she didn't find a man who could support her financially, she would either have to live with relatives or earn her own living at a time when it was perfectly legal to bar women from many kinds of high-paying jobs. And the jobs that were open to women were low-paying, usually because they were considered women's jobs. And of course she would not be allowed to have sex lest she be considered a worthless slut - only men had the option of socially-accepted extra-marital sex until very, very recently. So the only option for a woman who didn't want to be a celibate burden to her family (or a celibate poorly-paid worker) was to get married.

Evan Marc Katz prefers to believe that gender roles are biological - like his favorite writer Sam Harris (Harris is a New Atheist and evolutionary psychology is their religion) and so of course he ignores the economic social reality. He prefers to tell women that male dominance is just the way of the world, men are never going to change, and there is nothing to be done about it except resign yourself to being the passive receptacle of male approval. Or live a lonely, sexless life.

It used to be that dating hucksters didn't have to work so hard to push women into the passive role - the entire socio-economic system was designed to force women into that role. Marriage was very common because women had a compelling financial interest to get married. 

But since Katz's clients earn their own living, they tend to believe they don't have to settle for any man with a good job. But a woman being "picky" lowers Katz's success rate, so he is very much focused on claiming women expect too much from men. 

And then when he is called on it by someone he can't ignore, a client, he gaslights her and pretends that he's a huge egalitarian who never told women they had to be passive.

I was amused to see how Katz referred to his critics:
 I’ve seen criticism of my views from anonymous strangers before, but I’d never before had a client who expressed such great displeasure with her perception of my coaching philosophies.
As anybody who has read this blog knows, there are many Katz critics, including myself, who are not anonymous. And Katz knows it too - he reads this blog. It was easy enough to figure that out when I noticed in my blog analytics that someone from his town in California was regularly visiting this site. 

Naturally he won't discuss critics by name, any more than he will name feminists he makes claims about - because it's much easier to argue with straw-women, or clients who have already drunk his Kool-aid. 

Katz may be toxic for women as individuals and for the progress towards an egalitarian society as a whole, but he sure knows how to take care of the financial progress of Evan Marc Katz.

More on the toxic Weltanshauung of Evan Marc Katz.

Fortunately some men are helping to promote an egalitarian society:


Sunday, September 20, 2015

Are "dating coaches" like Evan Marc Katz encouraging domestic violence?

Evan Marc Katz is defending against objections to his advice for women by offering a false equivalency.

He claims he has similar expectations from men and women when it comes to the best ways of attracting a mate. He presents an exchange between himself and a dissatisfied customer which includes this:
(CLIENT)
I have to talk to men in a certain way or they won’t find me appealing. 
(EMK)
Yes. Then again, don’t men have to talk to you in a certain way as well? They can’t be arrogant, rude or condescending. They shouldn’t be negative or nakedly insecure. They shouldn’t blather on about themselves without taking an interest in you. It would seem that there are certain characteristics that make all people unappealing, no?
As he states, he expects men to refrain from being arrogant, rude, condescending, negative, blatantly insecure, and talking only about themselves. The kinds of things he must surely expect from women too. But Katz has one extra piece of advice for women that he doesn't have for men: be passive:
Being passive doesn’t mean that you can’t do anything proactive. It means that you’re choosing not to do anything proactive, because being proactive during courtship is ineffective in making a man feel attracted to you. 
Here are a few common examples of being proactive:
  • You have a great date, you email him the next day to say you had a lot of fun.
  • You haven’t heard from him all weekend, you text him to make sure he’s doing okay.
  • You want to see him next week, you tell him his favorite band is playing downtown and you can get tickets.
  • You’re confused about where your relationship stands, you ask him where things are headed.
You think you’re being real; he thinks you’re acting clingy. Understand, the man of your dreams doesn’t NEED to be pushed to be your boyfriend.
Katz expects women to be so extremely passive that any and all attempts on the part of the woman to communicate, without first being contacted by the man are considered by Katz (on behalf of men) horrifically clingy and pushy.

The male prerogative to pursue a woman, and the female requirement to be the passive object of that pursuit are known as "traditional gender roles."

As the organization "Futures Without Violence" states:
Traditional Gender Role Beliefs: Men who hold traditional gender role beliefs (men as breadwinners, women should stay at home, etc.)14 and conform to masculinity norms (believe men need to be self-reliant, have power over women, etc.) are more likely to commit violence against women, particularly sexual assault.15,16 Alternatively, men who view women as their equals are less likely to commit an act of sexual assault.12
...as discussed in the VicHealth prevention framework, research has consistently found that individual men who hold traditional views about gender roles, have a rigid belief in male dominance, or hold sexually hostile attitudes about women are more likely to perpetrate violence (see VicHealth 2007: 34).
Katz doesn't refer to the men he is selling to women as believers in "traditional gender roles" he refers to them as "masculine men." But there is no doubt at all that traditional gender roles are what he is promoting for women who want to find "love":
Men win you over by giving to you. We ask you out. We call you. We pay for dates. We initiate sex. We ask for commitment. We propose marriage. We give. You receive. Reverse this order by asking him out, initiating sex, asking for commitment, or proposing marriage, and a masculine guy will feel, well, emasculated. Thus, if you want a masculine guy, your greatest move is to embrace your passive feminine side.
Evan Marc Katz is encouraging women to date and marry men who are statistically more likely to perpetrate violence against them. But as long as he gets his success stories and makes his money, why should he care? After all, by his lights, women should not expect anything more than rigid traditional behavior from men (unless they are by Katz's definition, insecure losers: "But most men do not want to be actively pursued. The only guys who do are really shy, really insecure, or really clueless about women."). Because men, manly, masculine he-men, must be in complete control in all the usual, traditional ways or they feel, well, emasculated. Or as another dating advice huckster whom Katz highly recommended says:
So you can either support feminism in the hope of bettering the state of affairs in the future, or better your life now by finding love.

This is the hideous evil dystopia that Evan Marc Katz and his fellow sexist hucksters are selling to women. And Katz has the nerve to whine about occasional criticism.

And lest you think I'm too hard on Katz, when reviewing what I've written about him previously, I've often gone incredibly easy on him. I just noticed that I said of him:
Poor Evan Marc Katz. All he wants to do is make a very sweet living sitting around talking about himself and inventing little tips and tricks for how a woman can snag a man. 
But actually, as you can clearly see from the passage above on the importance of being passive, Katz has invented nothing - he is just regurgitating virtually every single thing that women have been told (and until recently compelled to abide by) since time immemorial. What a loathsome piece of work is Evan Marc Katz.

Saturday, September 19, 2015

Hanging in South Jersey

In Merchantville and Collingswood in all their semi-buccolic splendor.





Friday, September 18, 2015

Tomato vs. Grapefruit

Somebody on the Q train sure hates fruit.


Thursday, September 17, 2015

River of No Return

Marilyn Monroe had a really great voice - I was reminded again today when I heard a recording of her "River of No Return." It's really something. This video is clearly someone's attempt to circumvent copyright laws by putting the audio recording version on top of her performance in the movie. But the audio recording is the thing.



And you can add the movie "River of No Return" to the list of dramatic roles that Arthur Miller was unaware of or ignored when he claimed that her first dramatic role was "The Misfits."

Wednesday, September 16, 2015

Reading for Dollars

I had a reading of the first draft of my NORMA JEANE play last weekend and I'm glad I did it - my usual tendency to procrastinate was thwarted by the fact that I had the reading scheduled and actors lined up and I had to have something for them to read. So I forced myself to finish the play. It was really rough and half-assed, of course, since it was the very first draft.

The reading itself was not a fun experience especially since one of the actors decided to check his iPhone all during the reading. And mind you, he wasn't there as a favor to me - I was paying him. And I bought the actors drinks and snacks afterwards. So I fired him. I didn't say "you're fired!" like Donald Trump, I'm just never asking him to read a play of mine again. I'm done with being disrespected in the theater. But in spite of the lack of a declaration, his ass is, nevertheless, so fired.

The best part was that he gave me feedback that some of the scenes seemed "too long" - maybe that was his excuse for why he had to check his phone in the middle of them.

On the plus side, my second draft is coming along pretty well - I figured out a way to rearrange the scenes to make them work better. I'm having another reading in October. Hopefully a better reading with more respect.

Tuesday, September 15, 2015

DAVID: "Balderdash!"

In case you had forgotten what David Mamet has become, here is his essay in the National Review about Gloria Steinem's take on Marilyn Monroe. I did not read the byline before I dove into this essay, but as I was reading it I did think "this must be some especially nasty cranky old conservative" - and sure enough I was right.

Big surprise Mamet is glad Monroe died young, rather than get old:
In a more equal world, a top-down world, a world of equality (as envisioned and enforced by the Left) Ms. Monroe might have been taken in hand (by whom?) early on, and cured of her unreal escapist self (her talent), and still be alive playing Mother Courage in some Resident Theatre somewhere. 

But this is the best part, considering that Mamet was so famous for flinging the F-bomb:
What balderdash. Shame on you, Ms. Steinem, for promoting hypocrisy. For anyone who might be foolish enough to nod along with your sanctimony will, along with you, the next time they watch one of Marilyn’s films, laugh and smile; you, then, are promoting a dual-consciousness, an indictment of that which one enjoys, of a legitimate pleasure brought about through the work and the talent of an actual human being, who, in your sad lament, you belittle and patronize.
I'm sure Mamet would not have the courage to say such things directly to Steinem because if he did she would defend herself. To my knowledge Steinem has not responded to this, probably because she doesn't pay attention to Mamet - because nobody pays attention to Mamet any more except other cranky old right-wing coots who like to cry "balderdash!" and read the National Review.

Monday, September 14, 2015

Marilyn Interviews

There are far more videos - audio and image - of Marilyn Monroe than I realized existed.

Here's what I found so far.

1953



1954





1955



1956







1957





1959



Sunday, September 13, 2015

I don't see it

Allegedly Nina Hartley in 1976
For the second time I've been told I look like Nina Hartley. In case you don't know, she's a former porn star.

Now, she's blond and sometimes wears glasses but she's also older than me.

She's also much thinner than me, but she has massive obviously fake boobs.

However, we apparently did look alike in the 1970s, if this photo from the Eastbay Express really is her.



But nowadays, not so much.


Saturday, September 12, 2015

Do It Again

While searching for a public domain song for my play about Marilyn Monroe I saw that Irving Berlin's "Do It Again" was written in 1914 and so eligible. But I can't use that song ever because some of the lyrics are incredibly creepy and even a date-rapist's fantasy.

I first heard this song when Terry Gross interviewed Gloria Steinem about Steinem's book about Monroe. What an odd context. Gross said she really liked it.

And it does show what a good singer Monroe was.




Friday, September 11, 2015

Meanies are picking on Evan Marc Katz!

Google made me take this post down claiming that it was "dangerous and derogatory" which is not true. It was very critical of content made publicly available by Evan Marc Katz for his business, but it certainly did not match anything in Google's list:
  • incites hatred against, promotes discrimination of, or disparages an individual or group on the basis of their race or ethnic origin, religion, disability, age, nationality, veteran status, sexual orientation, gender, gender identity or other characteristic that is associated with systemic discrimination or marginalisation.
  • Examples: Promoting hate groups or hate group paraphernalia, encouraging others to believe that a person or group is inhuman, inferior or worthy of being hated
  • harasses, intimidates or bullies an individual or group of individuals.
  • Examples: Singling out someone for abuse or harassment, suggesting that a tragic event did not happen or that victims or their families are actors or complicit in a cover-up of the event
  • threatens or advocates physical or mental harm to oneself or others.
  • Examples: Content advocating suicide, anorexia or other self-harm; promoting or advocating harmful health or medical claims or practices; threatening someone with real-life harm or calling for the attack of another person; promoting, glorifying or condoning violence against others; content made by or in support of terrorist groups or transnational drug trafficking organisations, or content that promotes terrorist acts, including recruitment, or that celebrates attacks by transnational drug trafficking or terrorist organisations
  • exploits others through extortion.
  • Examples: Predatory removals, revenge porn, blackmail
Nothing in my post matched any of these.
But you can't ask Google for reasons why they take unfair actions - they do everything they can to avoid giving people who make them money - like people who run Google Ads - any direct customer support. They refuse to be held accountable for errors.
For the sake of fairness I should pursue this case but I haven't thought about Evan Marc Katz in years and he's not worth my time. 

Wednesday, September 09, 2015

Women Laughing Alone With Salad - now a new play!

An Internet meme that has been going around for several years focuses on the cliche in many stock art photos and advertisements of a woman, laughing, alone, with salad.  Apparently this is the article that got it all started.

Then there was a tumblr devoted to it.

And now Sheila Callaghan has written a play with that title. I've written about her work on this blog before.

I was made aware of this play via an article in the NYTimes about  the Women's Voices Theater Festival.

Tuesday, September 08, 2015

I'm Wild About That Thing

While looking for the right song for my play I came across Bessie Smith doing "I'm Wild About That Thing." Dayam, Bessie Smith could not be any more blatant.

Honey baby, won't you cuddle near,
Just sweet mama whisper in your ear
I'm wild about that thing, it makes me laugh and sing,
Give it to me papa, I'm wild about that thing
Do it easy, honey, don't get rough,
From you, papa, I can't get enough
I'm wild about that thing, I'm wild about that thing,
Everybody knows it, I'm wild about that thing
Please don't hold it, baby, when I cry,
Give me every bit of it or else I'll die
I'm wild about that thing, ja da ding ding ding,
All the time I'm cryin', I'm wild about that thing
What's the matter, papa, please don't stop,
Don't you know I love it and I want it all?
I'm wild about that thing, just give my bell a ring,
You pressed my button, I'm wild about that thing
If you want so satisfy my soul,
Come on and rock me with a steady roll
I'm wild about that thing, gee I like your ting-a-ling,
Kiss me like you mean it, I'm wild about that thing
Come on turn the lights down low,
Say you're ready, just say let's go
I'm wild about that thing, I'm wild about that thing,
Come on and make me feel it, I'm wild about that thing
I'm wild about it when you hold me tight,
Let me linger in your arms all night
I'm wild about that thing, my passions got the fling,
Come on, hear me cryin', I'm wild about that thing

I was pretty surprised to hear her sing "you pressed my button" but I guess by the 1920s or 30s when she recorded this, pressing buttons on various devices was a regular enough occurrence that it would have become a metaphor for turning something on.

Monday, September 07, 2015

Highway 61 Visited

Aeeeii! I spent hours and hours trying to find the perfect song to end my play about Marilyn Monroe. None of the public domain jazz/pop songs I found were just right and Irving Berlin alone has like 30 songs written before 1923 (being published prior to 1923 is pretty much a guarantee of public domain status.)

I finally decided on the folk/blues traditional tune - which means written by anonymous - presented on the PublicDomain4U site performed by Jack Kelly & His South Memphis Jug Band. I plan to have Ella Fitzgerald sing the play out using this song, although I edited the lyrics a little:
Oh that 61 Highway
It's the longest road I know-whoa
Yes that 61 Highway
It the longest road I know-oh
She runs from New York City
Down to the Gulf of Mexico
 
I said, please
Please see somebody for me
I said ple-eee-ase
Please see somebody for me
If you see my baby
Tell him he's alright with me.
Although Fitzgerald isn't know for singing blues, she did try her hand at it, as can be seen via her album These are the Blues. Her jazz work is much better.

If you've ever heard of Bob Dylan's song Highway 61 Revisited, now you know why the word "revisited" is in the title.

According to the Wiki about the album:
Dylan has stated that he had to overcome considerable resistance at Columbia Records to give the album its title. He told biographer Robert Shelton: "I wanted to call that album Highway 61 Revisited. Nobody understood it. I had to go up the fucking ladder until finally the word came down and said: 'Let him call it what he wants to call it'."[5] Michael Gray has suggested that the very title of the album represents Dylan's insistence that his songs are rooted in the traditions of the blues: "Indeed the album title Highway 61 Revisited announces that we are in for a long revisit, since it is such a long, blues-travelled highway. Many bluesmen had been there before [Dylan], all recording versions of a blues called 'Highway 61'."[6]
I settled on this song because the events of the play happen in 1961 and it's about traveling and mentions New York City - at the end of the play (spoiler alert) Marilyn is getting out of the Payne Whitney Psychiatric Clinic. She eventually joined Joe Dimaggio (after a month-long stay at a regular, non-psychiatric hospital) at Yankees spring training in Ft. Lauderdale, which is on the Gulf of Mexico.

Actually it from from NYC to the Gulf of Mexico in the song, but in actuality US Route 61goes from Minnesota (where Bob Dylan grew up ) to New Orleans, which is on the Gulf of Mexico. But it goes nowhere near NYC.

The lyrics of Highway 61 Revisited are very different from Highway 61.


Best lyric:
Now, the fifth daughter on the twelfth night
Told the first father that things weren't right
"My complexion," she says, "is much too white"
He said, "Come here and step into the light"
He said, "Hmm, you're right, let me tell the second mother this has been done"
But the second mother was with the seventh son
And they were both out on Highway 61

Sunday, September 06, 2015

More naked people on my blog

Thanks to another Spring Studio life drawing session. They had two models this time.

Saturday, September 05, 2015

Monroe's recipe

In another piece of Monroe trivia, in 2010 the NYTimes published her recipe for stuffing. And they really liked it.

When we gingerly tossed everything together in our largest bowl (the recipe yielded more than 20 cups), we were amazed to discover one of the most handsome stuffings we’ve encountered. The odd elements, like the profusion of raisins and the chopped egg, suddenly made sense, becoming pleasant color contrasts. Moreover, the mixture was delicious, a nice balance of vegetables, meats and bold seasonings, just faintly, tonically sweet from the raisins. Even the texture was superior, a fluffy, damp blend that packed well into a chicken cavity and emerged loosely gelled. Subsequent tests employed slight tweaks but the original genius (and the heroic volume) of her recipe remained fundamentally the same.

Thursday, September 03, 2015

FUNERAL EULOGY by Lee Strasberg

Many people believed Marilyn Monroe committed suicide, including Marlon Brando and Arthur Miller. However, others believe it was an accidental overdose that killed her, including not only biographer Donald Spoto but also Lee Strasberg, as is made clear in the eulogy he gave for her. It should be noted that at the end of her life she was much closer to Strasberg than to Brando or Miller.

Marilyn Monroe was a legend. 
In her own lifetime she created a myth of what a poor girl from a deprived background could attain. For the entire world she became a symbol of the eternal feminine.
But I have no words to describe the myth and the legend. I did not know this Marilyn Monroe.
 
We, gathered here today, knew only Marilyn—a warm human being, impulsive and shy, sensitive and in fear of rejection, yet ever avid for life and reaching out for fulfillment. I will not insult the privacy of your memory of her—a privacy she sought and treasured—by trying to describe her whom you knew to you who knew her. In our memories of her she remains alive, not only a shadow on a screen or a glamorous personality.
For us Marilyn was a devoted and loyal friend, a colleague constantly reaching for perfection. We shared her pain and difficulties and some of her joys. She was a member of our family. It is difficult to accept that her zest for life has been ended by this dreadful accident.
 
Despite the heights and brilliance she had attained on the screen, she was planning for the future: she was looking forward to participating in the many exciting things she planned. In her eyes and in mine her career was just beginning. The dream of her talent, which she had nurtured as a child, was not a mirage. When she first came to me I was amazed at the startling sensitivity which she possessed and which had remained fresh and undimmed, struggling to express itself despite the life to which she had been subjected. Others were as physically beautiful as she was, but there was obviously something more in her, something that people saw and recognized in her performances and with which they identified. She had a luminous quality—a combination of wistfulness, radiance, yearning—to set her apart and yet make everyone wish to be part of it, to share in the childish naivete which was at once so shy and yet so vibrant.
This quality was even more evident when she was on the stage. I am truly sorry that the public who loved her did not have the opportunity to see her as we did, in many of the roles that foreshadowed what she would have become. Without a doubt she would have been one of the really great actresses of the stage.
 
Now it is all at an end. I hope that her death will stir sympathy and understanding for a sensitive artist and woman who brought joy and pleasure to the world.
I cannot say goodbye. Marilyn never liked goodbyes, but in the peculiar way she had of turning things around so that they faced reality—I will say au revoir. For the country to which she has gone, we must all someday visit.
 
August 9, 1962

If you think you've never seen Lee Strasberg, well you have if you've ever seen Godfather Part 2 - he played Hyman Roth.


Wednesday, September 02, 2015

Marilyn outtakes

Monroe does this one scene from "Something's Gotta Give" many times - I lost count. And what amazes me is how very little annoyance she shows at being interrupted by the director. Although you can see at minute 1:47 - she indicates the tiniest bit of annoyance and then it's gone. I find this pretty fascinating. A little later she has a kind word for one of the kid actors - Monroe was known for loving kids so this seems entirely in character.




More outtakes - an hour and fifteen minutes worth. She appears with Wally Cox and Dean Martin.

Tuesday, September 01, 2015

More more play research

My favorite photo of Ella Fitzgerald - I think this will be the costume, if possible, in my eventual production.


In other play research, I found a clip of Ella Fitzgerald talking about her ill-fated affair with Thor Einar Larsen. A big deal is made out of the fact that he was white, but also noteworthy is his age - 28 to Ella's 41.

The interviewer also mentions the Memorex commercial.



Via the Jet archives there's this "portrait of a swindler suspect" - and mentions he is "reported married to American singer Ella Fitzgerald recently." Poor Ella - she was even more unlucky in love than Marilyn Monroe.

The guy on the left is Larsen - the guy on the right is his lawyer